Museo Barracco Di Scultura Antica
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Museo Barracco di Scultura Antica (
Italian Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Ita ...
, ''Barracco Museum of Antique Sculpture'') is a museum in Rome, Italy, featuring a collection of works acquired by the collector Giovanni Barracco, who donated his collection to the
City of Rome , established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption ...
in 1902.


Museum

Among the works are
Egyptian Egyptian describes something of, from, or related to Egypt. Egyptian or Egyptians may refer to: Nations and ethnic groups * Egyptians, a national group in North Africa ** Egyptian culture, a complex and stable culture with thousands of years of ...
,
Assyrian Assyrian may refer to: * Assyrian people, the indigenous ethnic group of Mesopotamia. * Assyria, a major Mesopotamian kingdom and empire. ** Early Assyrian Period ** Old Assyrian Period ** Middle Assyrian Empire ** Neo-Assyrian Empire * Assyrian ...
, and
Phoenician art Phoenicia () was an ancient thalassocratic civilization originating in the Levant region of the eastern Mediterranean, primarily located in modern Lebanon. The territory of the Phoenician city-states extended and shrank throughout their histor ...
, as well as
Greek sculpture The sculpture of ancient Greece is the main surviving type of fine ancient Greek art as, with the exception of painted ancient Greek pottery, almost no ancient Greek painting survives. Modern scholarship identifies three major stages in mon ...
s of the classical period. The 400 works of the collection are divided according to the
civilization A civilization (or civilisation) is any complex society characterized by the development of a state, social stratification, urbanization, and symbolic systems of communication beyond natural spoken language (namely, a writing system). ...
and are displayed in nine rooms, on the first and second floors, while the ground floor contains a small reception area.


First floor

On the first floor Egyptian works are presented in Rooms I and II. Room II includes works from
Mesopotamia Mesopotamia ''Mesopotamíā''; ar, بِلَاد ٱلرَّافِدَيْن or ; syc, ܐܪܡ ܢܗܪ̈ܝܢ, or , ) is a historical region of Western Asia situated within the Tigris–Euphrates river system, in the northern part of the ...
, including
cuneiform Cuneiform is a logo-syllabic script that was used to write several languages of the Ancient Middle East. The script was in active use from the early Bronze Age until the beginning of the Common Era. It is named for the characteristic wedge-sh ...
tablets of the third millennium BCE and items from
neo-Assyrian The Neo-Assyrian Empire was the fourth and penultimate stage of ancient Assyrian history and the final and greatest phase of Assyria as an independent state. Beginning with the accession of Adad-nirari II in 911 BC, the Neo-Assyrian Empire grew t ...
palaces dating from the ninth and seventh centuries BCE. The third room contains two important Phoenician items together with some
Etruscan art Etruscan art was produced by the Etruscan civilization in central Italy between the 10th and 1st centuries BC. From around 750 BC it was heavily influenced by Greek art, which was imported by the Etruscans, but always retained distinct characte ...
, while the fourth displays works from Cyprus.


Second floor

The second floor exhibits
classical art Ancient Greek art stands out among that of other ancient cultures for its development of naturalistic but idealized depictions of the human body, in which largely nude male figures were generally the focus of innovation. The rate of stylistic d ...
. Room V presents original sculptures and copies from the Roman period as well as Greek sculpture of the fifth century BCE. Room VI displays copies of classical and late classical Roman work, along with funerary sculptures from Greece. Rooms VII and VIII, show a collection of Greek and Italic
ceramics A ceramic is any of the various hard, brittle, heat-resistant and corrosion-resistant materials made by shaping and then firing an inorganic, nonmetallic material, such as clay, at a high temperature. Common examples are earthenware, porcelain ...
, and other items, starting from the time of
Alexander the Great Alexander III of Macedon ( grc, Ἀλέξανδρος, Alexandros; 20/21 July 356 BC – 10/11 June 323 BC), commonly known as Alexander the Great, was a king of the ancient Greek kingdom of Macedon. He succeeded his father Philip II to ...
. The final room shows examples of works from public monuments of the Roman period, together with specimens of medieval art.


Artworks

*''Wounded Bitch'', a sculpture by
Lysippus Lysippos (; grc-gre, Λύσιππος) was a Greek sculptor of the 4th century BC. Together with Scopas and Praxiteles, he is considered one of the three greatest sculptors of the Classical Greek era, bringing transition into the Hellenistic p ...
, Fourth Century BC


External links


Official website


in Italian * Art museums and galleries in Rome Egyptological collections in Italy Rome R. VI Parione {{Italy-museum-stub